Roses - Vincent Van Gogh by GAL92 features a green vase of white roses on a table with a light green background. The painting’s visible brushstrokes and impressionistic style recall Van Gogh’s Saint-Rémy works, with fallen petals on the table.
Roses - Vincent Van Gogh by GAL92 features a green vase of white roses on a table with a light green background. The painting’s visible brushstrokes and impressionistic style recall Van Gogh’s Saint-Rémy works, with fallen petals on the table.

Roses - Vincent Van Gogh

BD 16-0413 / GAL92
$49.00
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On the eve of his departure from the asylum in Saint-Rémy in May 1890, Van Gogh painted an exceptional group of four still lifes, to which both The Met's Roses and Irises (58.187) belong. These bouquets and their counterparts—an upright composition of irises (Van Gogh Museum, Amsterdam) and a horizontal composition of roses (National Gallery of Art, Washington)—were conceived as a series or ensemble. Traces of pink along the tabletop and rose petals in the present painting, which have faded over time, offer a faint reminder of the formerly more vivid "canvas of pink roses against a yellow-green background in a green vase."

On the eve of his departure from the asylum in Saint-Rémy in May 1890, Van Gogh painted an exceptional group of four still lifes, to which both The Met's Roses and Irises (58.187) belong. These bouquets and their counterparts—an upright composition of irises (Van Gogh Museum, Amsterdam) and a horizontal composition of roses (National Gallery of Art, Washington)—were conceived as a series or ensemble. Traces of pink along the tabletop and rose petals in the present painting, which have faded over time, offer a faint reminder of the formerly more vivid "canvas of pink roses against a yellow-green background in a green vase."

On the eve of his departure from the asylum in Saint-Rémy in May 1890, Van Gogh painted an exceptional group of four still lifes, to which both The Met's Roses and Irises (58.187) belong. These bouquets and their counterparts—an upright composition of irises (Van Gogh Museum, Amsterdam) and a horizontal composition of roses (National Gallery of Art, Washington)—were conceived as a series or ensemble. Traces of pink along the tabletop and rose petals in the present painting, which have faded over time, offer a faint reminder of the formerly more vivid "canvas of pink roses against a yellow-green background in a green vase."

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